In assessing various meanings and implications of neimei in an art historiographical context, a grave discrepancy that prevails among symptomatically dichotomous, essentialist conceptions of “interior mind” and “outer form”, respectively, can be revealed. It is argued that an investigation of this ubiquitous (yet all the more elusive) concept can effectively expose neimei as a highly charged discursive term manifesting a set of aesthetic ideas and ideals, and with this, certain body-related inhibitions that underlie art criticism and theory on the traditional brush-and-ink arts in China. As a concept primarily stemming from this artist’s theoretical and practical dealings with calligraphy, neimei 內美 constitutes the core of Huang’s aesthetic terminology one that is, moreover, reiterated in discourse on his art––inasmuch as it appears to comply with certain themes running through the narratives of Chinese art history up to the present day. Here, special attention is paid to the aesthetic concept of neimei, “interior beauty”, which finds particular pronunciation in Huang Binhong’s brush-and-ink art.

The present thesis seeks to counter this lack in scholarship. One reason for the peripheral focus in this regard is surely its wide reception as being of generally lesser artistic value than Huang’s painting, and its labeling thus as merely “painters calligraphy” (huajia zi 畫家字). He will also be taking part in leading the trainees to compete for a debut position in the upcoming international boy group.Ĭheck out the male trainees who will be taking part in Chuang 2021 here.Description: Given Huang Binhong’s 黃賓虹 (1865–1955) position in art history as one of the most important Chinese brush-and-ink artists of the past century, it is noteworthy that in spite of a striking overabundance of scholarly publications on Huang’s work, his oeuvre reveals an as of yet insufficiently examined area: though receiving more attention in recent years, Huang’s calligraphy production still presents a significant research desideratum. Deng Chao was previously announced as the “promoter” of Chuang 2021.

Ning Jing joins Deng Chao who is among the list of main guests on the show. *Ning Jing is using a pun on her name, which also means “calm” in Chinese. Step onto this island, you and me will be happy.” “You thought it was the Ning Jing (‘calm’) before the storm *, but it’s actually jie jie who is happily chasing her idols while disco dancing. Ning Jing Chuang 2021’s Founding Representativeįollowing the announcement by Chuang 2021, Ning Jing chimed in and shared her thoughts on Weibo: Though the girl group was short-lived after its disbandment earlier this month (only after 4 months from its debut), Ning Jing remains a formidable force on her own. In 2020, she rose to popularity once more after emerging as the top ranked star in the survival show, “ Sisters Who Make Waves.” She then debuted in the girl group, “X-SISTER” whose members include the top 7 ranked stars from the show. Her acting accolades include having been awarded the Best Actress title at both the 19th Chinese Film Golden Rooster Award in 1999 and also at the the 42nd San Sebastian International Film Festival in 1994.

Ning Jing graduated from the Shanghai Theatre Academy and pursued acting in her early career. Ning Jing Is Founding Representative For Chuang 2021 Such a the title is seemingly equivalent to that of a “Mentor” for the show, as Baidu has classified the star as a “main guest” similar to the positions held by Luhan, Huang Zitao, Victoria Song and Mao Buyi who were the show’s mentors last season. Just this afternoon, the official Weibo account of Chuang 2021 (Produce Camp 2021) shared a new poster, announcing Ning Jing as one of the “Founding Representative(s)” (创始人代表) for the show.

Ning jing xiaozhuan